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Yadichinma Ukoha-Kalu: Safron in the Desert

Past exhibition
19 November - 3 December 2020
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Overview
Yadichinma Ukoha-Kalu, Safron in the Desert

kó is pleased to present a solo exhibition by Yadichinma Ukoha-Kalu, titled Saffron in the Desert, 19 November-3 December 2020.

This new body of work was initiated during the artist’s residency in Dubai earlier this year, as kó’s representative for Art Dubai’s 2020 artist residency programme. While her residency in Dubai was cut short due to the global lockdown, Yadichinma has further developed the project for this solo exhibition.

 

Yadichinma Ukoha-Kalu’s artistic practice centers on explorations of line, form and boundary, which she expresses through a variety of media including painting, drawing, sculpture, and film. She often creates landscapes on paper made with combinations of abstract elements and textures. Influenced broadly by a mix of artistic movements, Yadichinma uses research and documentation of everyday life to instruct her work, resulting in exploratory experiences taking place in real and imagined spaces. Her work exposes the skeletal process of creating, where the audience is invited to witness and explore the themes of discovery and change.

 

Saffron In The Desert uses saffron spice as a metaphor for psychological healing and hope. During her residency in Dubai, Yadichinma explored the Diera market and was drawn to the ubiquity of saffron spices, which she used as inspiration and as a material. Saffron ranks as the most expensive spice in the world and is fondly called "the gold of spices”. Exploring the indomitable quality of its golden-yellow essence, Yadichinma uses this raw material to apply to her paintings of landscapes and environments. Yadichinma uses the analogy of this pigment to examine the relationship between gold and the “golden moment of opportunity”,  the opportunity we have to turn the seemingly barren spaces of our minds into regenerative spaces.  Through this process, she begins to allow herself to fill these spaces with her own imagined beings and objects, reflecting on the private space of human emotions. 

 

 

Yadichinma experiments with a variety of materials, including saffron, spray paint, watercolour, transparency paper, and canvas, alongside sculptures made of Plaster of Paris and a plexiglass installation that was laser-cut at the Tashkeel Studios during her residency in Dubai. These plastic shapes served as stencils that are used in many of her paintings. Yadichinma uses color as a guiding framework to represent her emotional states. As a form of therapy, the dominant colors of red, yellow and black could suggest burning, fire and rage. Her use of tracing paper further alludes to the fragility of the present.

 

Alongside the materiality of saffron, Yadichinma creates an indecipherable alphabet that is used as a reoccurring motif within the series. Yadichinma highlights the commonalities with drawing and language, creating a system of pictorial signs that are put together as scrolls of text. She refers to these elusive texts as “epitaphs”, a symbol of loss, memorialization, and transiency.

 

In Mercury in the Ninth House, Yadichinma draws a self-portrait, its title referencing her astrology signs. The Venus-like figure is depicted in a conventional sculptural pose, floating and illuminated with a saffron-orange hue, possessing an aura of power. In the series of sculptures titled Emotional Landscapes, Yadichinma depicts amorphous shapes that suggest an abandoned archaeological relic, a reminder of the cyclical processes of time and renewal. Yadichinma explains: “A desert can so easily offer qualities of barrenness and hopelessness, but also respite, if one looks hard enough.”

 

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Video
Works
  • Yadichinma Ukoha-Kalu, Pilgrimage of loss , 2020
    Yadichinma Ukoha-Kalu, Pilgrimage of loss , 2020
  • Yadichinma Ukoha-Kalu, I went to the sea, 2020
    Yadichinma Ukoha-Kalu, I went to the sea, 2020
  • Yadichinma Ukoha-Kalu, Grow your promises, 2020
    Yadichinma Ukoha-Kalu, Grow your promises, 2020
  • Yadichinma Ukoha-Kalu, Two strangers died en-route, 2020
    Yadichinma Ukoha-Kalu, Two strangers died en-route, 2020
  • Yadichinma Ukoha-Kalu, Losing precious things, 2020
    Yadichinma Ukoha-Kalu, Losing precious things, 2020
  • Yadichinma Ukoha-Kalu, There’s no scarcity , 2020
    Yadichinma Ukoha-Kalu, There’s no scarcity , 2020
  • Yadichinma Ukoha-Kalu, Instructions for navigating despair 1 , 2020
    Yadichinma Ukoha-Kalu, Instructions for navigating despair 1 , 2020
  • Yadichinma Ukoha-Kalu, Instructions for navigating despair 2, 2020
    Yadichinma Ukoha-Kalu, Instructions for navigating despair 2, 2020
  • Yadichinma Ukoha-Kalu, Epitaph I, 2020
    Yadichinma Ukoha-Kalu, Epitaph I, 2020
  • Yadichinma Ukoha-Kalu, Multiple exits, 2020
    Yadichinma Ukoha-Kalu, Multiple exits, 2020
  • Yadichinma Ukoha-Kalu, Epitaph II, 2020
    Yadichinma Ukoha-Kalu, Epitaph II, 2020
  • Yadichinma Ukoha-Kalu, Mercury in the Ninth House, 2020
    Yadichinma Ukoha-Kalu, Mercury in the Ninth House, 2020
  • Yadichinma Ukoha-Kalu, Escapism, 2020
    Yadichinma Ukoha-Kalu, Escapism, 2020
  • Yadichinma Ukoha-Kalu, A long letter between here and there, 2020
    Yadichinma Ukoha-Kalu, A long letter between here and there, 2020
  • Yadichinma Ukoha-Kalu, Excavation, 2020
    Yadichinma Ukoha-Kalu, Excavation, 2020
  • Yadichinma Ukoha-Kalu, Saffron in the Desert, 2020
    Yadichinma Ukoha-Kalu, Saffron in the Desert, 2020
  • Yadichinma Ukoha-Kalu, Untitled I , 2020
    Yadichinma Ukoha-Kalu, Untitled I , 2020
  • Yadichinma Ukoha-Kalu, Untitled II, 2020
    Yadichinma Ukoha-Kalu, Untitled II, 2020
  • Yadichinma Ukoha-Kalu, Untitled III, 2020
    Yadichinma Ukoha-Kalu, Untitled III, 2020
  • Yadichinma Ukoha-Kalu, Untitled IV, 2020
    Yadichinma Ukoha-Kalu, Untitled IV, 2020
  • Yadichinma Ukoha-Kalu, Untitled V, 2020
    Yadichinma Ukoha-Kalu, Untitled V, 2020
  • Yadichinma Ukoha-Kalu, Untitled VI, 2020
    Yadichinma Ukoha-Kalu, Untitled VI, 2020
Virtual Exhibition
Installation Views
  • Img 7967
  • Img 7970
  • Img 7987
  • Img 7969
  • Img 7991
  • Img 7960
  • Img 7992
  • Img 7999
  • Img 8003
  • Img 8020
  • Img 8036
Press
  • Wanawana.net: "Artist Yadichinma Ukoha Kalu On Abstraction, Curiousity and “Saffron in the Desert”

    Wana Udobang, Wanawana.net, December 20, 2020
  • The Guardian: "Ukoha-Kalu brings Saffron in the Desert to Lagos"

    The Guardian, December 6, 2020
  • Sugarcane Magazine: "This Week in African Art and Culture"

    Sugarcane Magazine, November 23, 2020
  • Omenka Magazine: "Yadichinma Ukoha-Kalu: Saffron in the Desert"

    Omenka Magazine, November 18, 2020

Related artist

  • Yadichinma Ukoha-Kalu

    Yadichinma Ukoha-Kalu

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